Film Diary

DAY ONE

STACEY

Shot one

We started filming by getting the shot of Stacey in the bed to do this we set up the camera to make sure the bed was in the frame and Stacey face could be seen.

We started filming but soon realised that it wouldnt work without timing it correctly so instead we set the alarm and counted it down would be better. You can hear the counting in some of the clips, this way all film-makers knew what to do as well as actors.

Shot two

This was a shot of Stacey straightening her hair. we filmed this first and got about 6 seconds of footage. We then filmed her brushing it this was also about 6seconds. This worked well but wanted it to flow smoothly so we recorded them together for about 15seconds and this enabled us to cut it in editing.

Shot three

This was a new scene as we did not prepare for it. while filming we realised that Stacey is in her pyjamas then she is suddenly in her daily clothes. this is a continuity problem, so we added an extra shot of her pulling her t shirt down, this worked for male gaze theory as well.

Shot four

tissue scene, changed the angle from the original plan

was going to be from the side, stuffing in but changed it to all one shot, pulling down top, then stuffing bra.

acting was really good and she didn't mean prompting, looked really natural.

Shot Five

Changed angle again, but worked out better as it showed more varied angles. instead of filing her looking into the mirror putting on make up, pretend the camera was the mirror as she put it on looking towards us. This is considered as a point of view shot,

Shot Six

had to change sides because of lighting, was to dark in one corner of the room while she was reading so we wanted to change it so she was reading on her bed, taking advantage of the natural sunlight from the window.

STUART

Shot One

We set up the camera several feet higher than Stuart so the audience could see within the frame the book connoting he is the nerdy geek. We had to have the camera's tripod balance on a table and a sofa to get the higher shot we desired what took some time.

Shot Two

Stuart is seen impatiently waiting as he sighs and looks at his watch.

We set up the camera to face the character head on, the shot was a mid shot.

Shot Three

Stuart looks through his window

This shot was suppose to be an easy to achieve shot of the character looking through his window connoting he was impatient for the day to begin. However, we did not think of any relection issues from the glass. Through the camera's eye you could not see the character Stuart but instead only the reflectiong of the crew. To solve this problem we ultered the shot so Stuart opens the window and looks out for his two fellow geek friend before once again closing it.

Shot Four

Stuart is seen walking through his door. This was an easy shot to achive but it started to rain whilst we were filming and therefore we had to have to people filming so that a umbrella could be used to stop the camera getting damaged.

BOB

Shot One

Originaly we wanted the character Bob to be sitting on a chair leaning on his keyboard asleep. However, due to the change of locations we now have the character Bob sitting on his bed asleep upon the keyboard. This wasnt a big deal as the shot still looked good. We had to position the camera perfectly so when Bob stood up and exited the frame the shot didnt blur.

Shot Two

Bob is seen tucking his shirt in. We wanted the shirt to appear tight on Bob connoting little pride in appearnce. To do this a member of our film crew stood behind Bob pulling his shirt back making it appear tight.

Shot Three

To stay true to stereotypical geeks we wanted one character to have ashma. This character should be the one that appears the most un healthy. This was Bob so we have a shot of him using his inhaler connoting through an enigma code Bob is unhealthy.

Shot Four

The actor Bob decided to check himself out before the shot was filmed of him putting on his glasses. However, we left the camera rolling and thought the shot of him checking himself out before putting on his glasses was worthy to be placed in our opening.

Shot Five

Whilse filming Bob leave his front door we had to be coucious. This was due to the fact that if we went to far back we had other doors within the shot; something we did not intend to include. Also the path way the tripod was placed upon was uneven, making it diffucult to get a shot perfectly balanced. As a result it took several minutes to find the perfect angle that wouldnt capture other doors within the frame and would also keep the frame evenly angled.

DAY TWO

BOYS WALKING

Due to the actors only being able to film after school and the fret of the sunlight fading quickly we filmed this shot first, though it is the last to appear in the opening. This also saved the actors Bob and Stu time as they did not have to watch the filming of Tom's scenes first.

TOMS

Shot one

The shot of filming the character Tom watching the femernine show lose women required the moving of furniture. The sofa the actor, Harry, sat on was against the wall. We needed to push it forward so the camera crew could be centred behind him and capture the over the shoulder shot required. We also filmed this shot from the front to see if it would look better or suit the opening more correctly. It did not and was quickly scrapped from consideration of our final edit.

Shot Two

The gloves the character wears had to be done first, so that it was easy for continuity as he could keep them on throughout filming and didnt have to worry about them being on and off.

Shot Three

The batman belt given to the actor was to small to fit. As a result we didnt expect him to wear it so we ultered the shot so the audience could just see he was putting it on (but it was never actually fitted).

Shot four

This was a shot of Tom putting on his white socks, we had to try it at least thre different ways including sitting on the bed, stand up and putting it on and using the chair to lean on. We tried the chair first but it moved very easily but we also tried to film it while someone was holding the chair down out of shot. This still didnt work so we tried him standing up but the actor found this hard to do. We then had him sit on the bed and put his sock on there. The bed worked well because of the white on black contrast.

DAY THREE

Shot five

This day we had forgotten to film Harry coming out of his front door. This was our own fault as it was planned to be done but our group got excited about finishing everything and didnt think about the last shot. This had to be done another time although this was easy to re film as someone in our group lived close to the actor and it was able to be filmed after school one day.

Problems faced with the shot was that the door was less than a meter away from the neighbouring one. There

was no way of avoiding it from our frame, it appeard within the shot slightly. To be as polite and thoughtful as possible and to insure the shot looked better we avoided as much as possible of the neighbouring door.

Film Schedule

This is the filiming schedule for our opening commencing 13th March 2011. We also needed to film our insitution logo for 'Wisecrack Studios' and so we have incorporated this into the schedule. If we stick to this, we will be able to complete it with enough time to edit, arrange feedback and re-edit our piece. This schedule is for the crew only and a new, simpler version will be created for the actors as to when they're needed for filming.

Charlotte Morrison

Improved and Final Shot List

Several changes have been made to the final shot list, including:

• Scene and shot order. Instead of organizing the scenes/shots in order of appearance, we organised the scenes and shots in order of filming. This is more convenient as we don't have to skim through the shot list during production, and can alternatively go in the order it's been set out.
• Shot duration. The shot durations were manipulated to avoid short cuts and dragging shots.
• The sandwich scene was cut out of the opening, and will alternatively end with the title and a fade to black. This decision was made after suggestive feedback that it was unnecessary and made the opening feel too cramped.
• Institutions. Although we initially decided upon 2 institutional companies, we were unsure that we had enough time to open with both logos. We left 'Wisecrack Studios' out of the initial shot list, and re-introduced it into the final shot list after deciding that we had plenty of time to fill.

Overall, all of these decisions were considered within the group and we believe that our final shot list is a major improvement and will make filming easier and more manageable.


Devon Dalton

Initial Shot List

Emily Wallace

Charlotte Morrison

Character Auditions - Script and Process

Before filming our opening sequence, we had to cast actors for our characters. To help us choose which actors would best suit each part, we planned auditions. As we had some people in mind already, we asked them all to meet us in a certain room at our school during break time. We had to plan it so that they were all available and, as most of our actors were from younger years, it was quite hard to find a time they could all attend. However, we eventually found a time, and even though some were late, everyone turned up and our auditions were able to take place successfully.

We also found that having everyone in the same room created a more friendly and fun environment, and throughout auditioning, the actors said they much preferred this as they felt more relaxed and less stressed. By giving the actors a short briefing of the characters they were auditioning for, they felt more confident about what they needed to do as they had a better understanding of the part. We simply read out the character descriptions for each relevant actor.

Before meeting everyone at our auditions we had to create a short script. This was quite difficult as our actual opening consists iof hardly any dialogue and the only person that speaks is the character Bob. We used his line in our auditions as its one of the main parts, and assigned other auditioners tasks that their character would be seen doing.




Emily Wallace

Character Auditions

This is the video clip we created for the auditions we took.

Emily Wallace

Scott Collins

Popular Actors for Our Film Genre

Jonah Hill Feldstein was born in 1983. This photo was taken in 2007 as he portrayed his character Seth from the smash hit ‘Superbad’. This shows how good makeup and a shave can still make him look young and also geeky. His physical appearance fits perfectly of how we would want our character Bob to look like.  Also, his portrayal of his character Seth also fits perfectly with Bobs. However, Seth only cared about trying to have sex and Bob cares about the girl making one small change being necessary.

Michael Austin Cera was born 1988. He in most his films plays either the geek or the weakling. His physical appearance looks nerdy and weak, he also seems book smart what would fit perfectly with our worried intelligent geek Stuart. His character he portrayed in ‘Superbad’ (2007) was of a young nerd called Evan. Evan cared for the girl he liked instead of his friends who just wanted sex. He was shy, funny, smart and very sarcastic what would fit perfectly with our Stuart. His character Evan with a name change would make our ideal Stuart.

Christopher Mintz-Plasse was born in 1989. He has portrayed many lead role geeks. Two that stand out as sterotypical geeks was his character Fogell in ‘Superbad’ (2007) and Augie from ‘Role Models’ (2008). Both characters were nerdy however Fofell was dying to be popular and cool. Wanting just sex and fame. This would suit the character Tom as both long to be cool. His portryal of Augie however was fantastic bringing a nerdy fairy tale land geek to life. He would run round with a fake foam sword and fight other players in the park who would do the same. This character would fit Bob though we wrote he never played with toy swords. However, he likes World of Warcraft and I can't see why he wouldn’t want to adventure into a real life role playing world. The fault with Christopher is that his physical appearance does not fit the requirements for Bob leading to him not being able to play our Bob despite the life and atmosphere he could bring to the character.

Jon Heder was born in 1977. Though he may not look like a typical geek he played one of the most over the top geeks ever to be portryaed on a film, ‘Napoleon Dynamite’ (2004). A ginger boy who was simply a loser. Napoleon Dynamite is also like ‘Kevin and Perry Go Large’ (2000). Based on a tv series, it tells of two fifteen year old boys who want to be famous DJ’s but are really just losers.

Kathy Burke as Perry

 Kathy Burke was born in London in 1964. The interesting thing about Kathy is that she played a boy called Perry. The female playing the male worked perfectly as it just highlighted how unmanly and cool Perry really was. A woman playing Stuart could possibly work as he is the weakest and most feminine out of all the geeks. A woman playing his role would really help connote this fact.

Jim Carrey was born on January 17, 1962, and is regarded a comedy genius. In 1994, Jim Carrey played Lloyd Christmas in the comedy film 'Dumb and Dumber'. Lloyd Christmas is a stupid and easily amused geek. He doesn't fully understand the struggle of life and has a childlike approach behind his character. His friend Harry Dunne, played by Jeff Daniels, is the same as Lloyd in almost every way, making their petal arguments more humourous as they make no progress of winning throughout them. Both men love the same woman which is linked to our film. And the girl actually dates Harry Dunne. This is like when Stacey dates Tom, leading to the fall out between the friends. Both actors performed their geeks brilliantly. However, they are just too silly and rediculous to fit any of our characters.

John William Ferrell was born July 16, 1967 and is a very talented actor for giving characters a believable, humourous feel. I could write a long list of characters he has performed amazingly that could possibly fit our film, however, I want to focus on two. In the film 'Step Brothers' (2008), Will Farrell played a fourty year old geek living with his father called Brennan Huff. The man was hysterical to watch. His performance amazing and was believable. Though we wouldn't want a fourty year old man to play any of our characters, the arguments he has with his new step brother (once his father re-married) was brilliant and would fit well with the arguments our friends have with one another once fallen out in our opening. Here is a short clip of one of the earlier less violent argument from Step Brothers.

Cameron Diaz was born in 1972. She has had a diverse list of characters she has performed varying from an Irish gang member to a beautiful ogar from far, far away. I'm going to concentrate on her character Mary from 'Something about Mary' (1998). Mary was a beautiful, young woman who had several men fighting for her love. She was funny, relaxed and fun; the sort of personality traits required for Stacey. Mary however wasn't geeky, though she was attracted to them. Stacey should perhaps take some of the characteristics from Cameron Diaz's Mary for the geeky side on Stacey.

Kirsten Dunst was born in 1982. In the film 'Bring it on' (2000), Kirsten played a cool, young cheerleader called Torrance Shipman. She was the head cheerleader and, like other examples from this post, she falls in love for the geeky, nerdy boy. From this her geeky side begins to show and the young girl eventually wins the heart of the cautious geek. Her character is perfect for our geeky Stacey. She also has been seen as a bitch during other films such as the Spiderman sequals. She can be confrontational and during Spiderman One (2002) her character, Mary Jane, hid her geeky side by dating the school bully similar to our film.

Scott Collins

Purpose of Consent Forms

It is important that we receive consent forms from our actors as it confirms that they have agreed to act in our film. Although verbal agreement can also be obtained, a consent form can be kept for future reference and is visual evidence. Without a consent form, there is no evidence that our actors have agreed to be filmed, and would be the equivalent of a professional actor not signing a contract to be in a film. This would leave the character usage and film production purposes uncertain for the actor, meaning that consent forms are an important factor to creating an ethical and organised film.


Devon Dalton

Reconsidering Sound

As a group, we decided to use a different music piece to play throughout the film opening. Alternatively, we will be using a music piece played by a group of our friends who play in a band called 'Forgetting the Fallen'.

Although some of the music they produce is heavy metal and screamo, they have agreed to create a more energetic and up-beat piece of music especially for our film. We have obtained their permission through a consent form, which shows that they have agreed that we may use their music in our film.

We have chosen to use this type of music as opposed to our previous selection because, as a group, we decided that custom-made music is more flexible and can be shaped to the film in a way that premade sounds can't.

Music played by 'Fogetting the Fallen' is also royalty free as they have agreed not to copyright the music made for our film opening. Overall, we have decided that this decision is more benefical to the film and allows us to adapt the music to our specifications more easily.





Devon Dalton

Consideration of Sound

As we knew our opening sequence would have to include sound, we wanted to research into different soundtracks and effects. As a group, we learnt about the impact sound has on opening sequences. The most effective example we found was Dawn of the Dead.

Dawn of the Dead

This opening includes different types of sound including soundtracks and effects, a technique called layering. This is when more than one sound is used. For example, in this opening the soundtrack plays continuously in the background whilst screams and destructive sounds are played over the top. Through the whole piece, a rhythmic heartbeat is also used whilst a high pitched sound is quietly being played. This creates an eerie and suspensive atmosphere for the audience that reflects the genre of the film.

For our piece we need to have a soundtrack to play whilst the characters get ready for college. These are some possibilities for the opening music to our opening sequence:

Feelin' Good

The title of this stood out to me and the music is actually quite upbeat and feel-good. At about 0.32 seconds, it starts to kick in and again at 52 seconds it gets slightly more intresting and more intruments are used. This is good for our piece as the funny parts of our opening occur after about 28 seconds and this would add emphasis to them. We could make this work agaisnt our piece although the music then doesn't get any different or funner.

Welcome To The Show

This title also stood out to me as it's clearly for an opening. The pitch is very low, quite funky and interesting. Although saying this, its not quite rocky enough and we dont think it's catchy enough for our opening. The tempo doesn't quite match our comedy genre as other comedy films tends to have a fast paced soundtrack to set a happy atmosphere.

Rock on Chicago

This was the most suitable music  found for our piece as it was extremely upbeat and fun. It was catchy and matched the tempo of our opening well. Although as a group, we agreed we'd want to cut certain parts out and possibly play other bits over again because they did not give the same atmosphere.

Big Rock 

This was the last piece we looked at and this had quiet a good souund to it but we found it was to heavy for the atmosphere of our piece. It sounded like it could be from a horror rarther than a comedy and so we could not use it for our opening. 

These are the sounds that were found on the Mac; they are all copyright free. The sounds that we couldn't find on the Mac, we will simply record ourself by doing the action we wanted. We could use these in our final piece as they are exactly what we need and we only have to make the volume higher so they are more noticeable.

We also had the opportunity to use the copyright free tracks and sound effects from the Mac which is especially convenient as we don't have to search through different sites to find the soundtracks and the effects we want. However, though there is a variety of sound effects and tracks, there are not many choices for our genre and this limits what we can use. To solve this, we will record our own sound effects and look for various other sources to find the soundtrack right for our film opening.

Emily Wallace

Charlotte Morrison

Final Institution Logos

As a group, we discussed which logo to choose decided on these designs for our final institution logos. Since our audience is mainstream, our logos needed to be animated or filmed in order to replicate the same professional effect we want, as seen with the Universal or Warner Bros institution logo.

Emerald Productions (animated):

For the logo for our institution, we chose an animated film reel which would roll out and the name Emerald Productions would appear at the end of it. It would start as a close up and zoom out of the main reel to reveal the reel rolling and the production company name. We chose this as we thought it would be the most original idea that showed to the audience clearly that we were a film production company. The use of the colour green reflects the word 'Emerald' and the original name of our group (green productions). The green also connotes wealth to show we're a big institution and is bright and calming which connotes happiness and peace. For our final product, we used a series of images together. Unfortunately, it did not give the professional look we wanted as it was jolty and we did not have any other programmes available. In the future, we would investigate which tools and programmes we could use before making decisions. 

This is the logo for Wisecrack Studios (filmed):

As the second mainstream intiution was called 'Wisecrack Studios', we wanted to reflect the comedy genre through the logo to show the company specialises in comedy film. Also, as a unique idea and to show that the insitution is large and mainstream, we decided to film it to resemble it to other institutional logos, such as Universal. We used the juxtaposition of the dry weather and umbrella to create humour and the person holding on to the banner evokes humour as the girl riding the bike is oblivious to what's behind her. However, filming this 5 second institution logo took approximately 3 or 4 hours to create and so in the future, we will try to be more organised with our props as we thought it would take less time to create the banner.

These are the two logos at the start of the opening:



Charlotte Morrison

Institution Logo Ideas

As a group we had to come up with a name and logo for our institution to be shown in our opening titles. To help us create a institution name, we went through different words and phrases found in thesaruses to inspire us and create a train of thought. We also discussed ways in which the words could be presented in a moving image using various objects and actions.This is the spider diagram we produced as a group.. We found creating a spider diagram useful as it allowed us to channel our ideas into a visual form and expand on thoughts and opinions.

 

Finally, we decided to use Emerald Productions and Wisecrack Studios as our final institution names. We chose these names as Emerald relates to our group name, Green Productions, and Wisecrack is reflective of our film genre and represents comedy. As a group of four, we decided we would each create one logo for either institution and use parts of each of our ideas to create 2 final logos. As our target audience is mainstream, we will use animation or moving images to create at least one of our logos (like Universal or Warner Bros).

These are our logo ideas for EMERALD:

Design 1

Design 2

Design 3

Design 4

These are our logo ideas for WISE CRACK:

Design 1

Design 2

Design 3

Design 4

Emily Wallace

Charlotte Morrison

Devon Dalton

Scott Collins

Health and Safety

To make sure our health and safety during filming covered all possible dangerous areas, we did some research looking at other Council's rules of filming. These are the rules of filming for Hampshire:

"Hampshire has many unique locations from vast rural areas such as farmland and the New Forest National Park to seaside locations and industrial derelict sites. We also have a vast range of beautiful historic buildings as well as cottages and villages.  We will be happy to accommodate your needs where possible and we will always try and help with your filming requirements.

It is recognised that most production companies act in a responsible and professional manner. However, all film makers are asked to take their surroundings into consideration.

Productions must be sympathetic to the environment they want to use and work with any restrictions they find with locations that are in areas of outstanding natural beauty and are preserved or with historic buildings or monuments that are considered delicate and fragile.

The local authority has a duty of care towards residents and businesses and will exercise control if a particular production is causing an unreasonable nuisance or noise.

Every precaution must be taken to ensure the safety of the general public at all times and a contact number for the production must be available to the council and the police.

Clear guidelines of what the script or scene involves and appropriate caution must be taken for filming in sensitive areas or at unsocial times

Areas that require any sort of set building, dressing, disguising or are subject to any sort of special effects will require a grantee to be returned to a required standard.

This code of practice sets out the standards that we would ask production companies and/or their sub-contractors to follow while filming in Hampshire."

The first rule states that production must be sympathetic to the environment. In our piece, we use several props that could be harmful to the environment if not recycled in the proper way, such as the energy drink bottles or cans Bob uses. If we leave these around outside, an animal may get caught up in one of the props and gain an injury. It makes the environment look littered and unpleasant. On top of this, littering is a crime punishable by a fine. We will take care in recycling props and also storing them during production.

The second rule asks that you do not cause a nuisance or noise. This is a commonly followed rule regardless of filming. However, filming is excitable and fun and it is easy to cause noise and perhaps be a nuisance. This is not just a hazard towards our filming crew but also towards our actors as they too may get carried away. To resolve this problem, we will take responsibility for our actions making sure we are well mannered and behaved. As for the actors, we will keep them in check and if they do begin to be a nuisance we will deal with them appropriately. If their behaviour persists, they will be removed from the cast and a replacement will be found. This is unlikely to happen as we evaluated how well each actor performed and behaved during their auditions.

The third rule only partially applies to us. We are not a threat to the public, neither are we a professional production company, so we do not need to contact the local council or police. However, safety towards the public is an important part of filming. As a result, we will avoid anything dangerous or illegal, or anything that may appear so. If when directing we decide something else has to be changed that may be a hazard to the public, we will either find a secure location away from the public or find an alternative solution. Like our last rule, this is very unlikely to occur during production but will be considered during production.

We will have our script and storyboard with us throughout production so if questioned by a member of the public, we can show them our intended plans for filming. Also, we are not filming during unsocial hours or in crime sensitive areas. Rule four has been considered but poses no real threat to our production.

Rule five asks that anything changed in your filming area be put back to normal once your production is over. The only thing we will be changing during production is bedrooms to fit the characters. Once production is done in each location, we will carry out a clear up session and return the bedrooms to their previous state.

An example for health and safety guidelines for Essex was not available. However, Essex Council may consist of more rules and precautions that Hampshire Council may not have deemed necessary. Though minor, we must consider the following:

We are young and therefore stereotypically portrayed throughout media to be more inclined of being a nuisance. This may lead to adults feeling threatened towards us as it is uncommon to see seventeen year olds with filming equipment and setting up in a location. If someone’s home is within the frame of filming, we will ask for permission of the homeowner who will be fully aware of our intended actions. Other members of the public, whose homes may not be visible in the frame, that live nearby may ask what we are doing. If after explaining they still feel threatened and insist for us to leave, we will move location and avoid arguments or kicking up a fuss. This is unlikely to happen as Broomfield is generally a safe and calm village. If it did, however, we would not belittle ourselves to the stereotypical portrayal of our age group.

Another thing to consider is health conditions for our actors. We asked our actors if they had any specific allergies or medical requirements before filming. It was important we asked this as we do not want to harm our actors or put them at risk. An example where this information would be useful is when our character Tom eats a blueberry muffin in the film opening.

Scott Collins

Mise En Scene

Key

Bob | Stu | Tom | Stacey

Locations

The interior and exterior of Stacey’s location was chosen as it has a wide filming space for the crew and the bedroom is very girly, helping connote her popular, false identity. With the help of a few props, we will also make this a geeky room, connoting her secretive geeky side. The interior is perfect as it connotes wealth through all the luxurious items she has in her room, and is self-explanitory as to why she gets the clothes she wants to hide her true self.

 Bobs room is messier than the other bedroom choices and is more relevant to his personality. This suits Bob well as it is more reflective of his character and personality. It is also more spacious so we have more room for the crew to film. It is slightly geeky already and a few props will transform Bob's gaming corner for World of Warcraft into a true gaming geek's paradise.

Stuart's living room is in the same location as Stacey’s (though we will obviously keep this fact oblivious to the audience). We did this as we decided to have Stuart not seen in his bedroom, showing that he is ready for school and eager to leave. We chose to film in the same house as Stacey's room as the lounge is more high class than the other options and had more room for the film crew. 

For the character Tom, we chose the orange bedroom as one side of the bedroom wall is covered in comic book wallpaper. This room is ideal as it suits Tom's personality and shows the audience what he enjoys and takes interest in. The room is small and cramped to a degree. However, this will not matter for our crew because we can stay more towards the doorway as Tom doesn’t move from one side of the room to another.

Costumes

Tom’s favourite colour is purple so we have included this into his costume by giving him a purple jacket. Purple is stereotypically considered a feminine colour, suggesting he perhaps isn't very masculine. He also loves comic books so we intend for him to wear a superman shirt and belt. To make him look like an outcast, Tom will also wear jeans that are too short for him revealing his white socks. For footwear, Tom will wear Nike trainers. All these little touches will give the audience a great deal of information about Tom from first glances as they show his attempt at dressing 'fashionably' and give an insight into his ambitions to be popular. Tom is also a fan of fingerless gloves; this is to show that he has an arguably lame fashion sense.

Stuart is the nerdy one out of the group; this is the impression we wish to connote through his costume. Stuart is seen already dressed for school meaning he has no other outfit in the opening. He has a checkered shirt tucked into a plain belt, denoting he is intellectual, mature and businessman-like. However, a business man wouldn't wear a casual checkered shirt to work, showing Stuart's youth is still intact to some degree. He wears smart trousers, which could be mistaken for school trousers. These match his formal black shoes, though we are debating if he should wear converses instead. We will test both kinds of footwear and choose the better result during the audition stages. Also, Stuart will be wearing a digital watch. A digital watch could be considered childish, feeding the audience through the enigma code that perhaps Stuart still hasn’t grown up despite his outfit.

Like discussed in our character profiles post, Bob is considered the ‘fat’ one of the group. This means trousers that are considered for skinny people do not fit him. This lead us to the choice of baggy jeans for Bob. Plimsolls, converses and smart shoes won't match the chosen jeans so we will use DC trainers as they are cool and will fit well with the baggy jeans. We want to connote to the audience that Bob truly isn't fussed with trying to look cool, handsome and normal. This will be connoted by making his plain black buttoned shirt slightly tight showing he has no fashion sense and takes little pride in his appearance. This, if not already apparent, will feed the enigma code to the audience that Bob doesn’t get the ladies of his choice, if not any ladies at all. To allow the audience to get a better understanding of Bob he will also have an ‘ACDC’ wristband connoting that he is a rocker or at least favours the rock brand of music. However, Bob will not be fully dressed in this outfit throughout the whole scene as he will first be introduced in boxers and a 'toy story' shirt. This works perfectly as we want to have his jeans slightly pulled down so the audience can see Bob does not change to a fresh pair of boxers but instead just leaves the same pair on.

Stacey is first met wearing her pyjamas. We will do a costumes test on the best outfit for this as we want to try and choose one which doesn’t just connote she’s a geek but also that she's very feminine. Stacey's costume mainly consists of pink and dainty items that match her popular, non-geeky side. Her costume is used as a mask to hide her true identity and this therefore means that she needs to fit the part of the popular cheerleader role. To achieve this, we ensured that she wore some type of pink top. A simple pink vest connotes she is feminine and also reveals her figure. This helps her appear more attractive which links to the enigma code leading to the conclusion she gets the popular handsome boys of her choosing. On the bottom half, she will be wearing skinny or slim-fit jeans, or a form of jeggings. This is also used to compliment her body. She will also wear either pink stiletto heels as they are dressy and show that she enjoys to dress up contrasting to her true geeky self. Small pink accessories, such as a flowery hair accessory or necklace, will also be used to show her femininity and her 'beauty'. This outfit will show she has a keen fashion sense and will help the audience become more aware that she is a popular person.

Lighting

Bob is first greeted into the film by a shot of him asleep on his keyboard whiles playing World of Warcraft and has a mike still on his head. Because he is a gaming geek he would have had minimal lighting from the night before and as he hasn’t changed his environment since that night it is still the same. So all blinds/curtains will be closed and the only lighting will be that coming from his computer monitor and his beloved lava lamp; resulting in a low key location.

Stu is first greeted into the film by a shot of him lying down doing homework as he is already prepared for school. He is located in the living room with his curtains wide open to let in the morning sun. This results in natural high key lighting. However, if on the day of filming the weather isn’t sunny we will have to create high key lighting for ourselves using the living room main lights.

Tom is first greeted into the film whiles he is watching Jeremy Kyle (his favourite show) as he consumes one of his home made muffins. As he is already wide awake he will have many lights on resulting in high key light room. However, he still isn’t ready for school so his curtains will be drawn shut so he is not revealing his private self to the world leading to high key un naturalistic light room.

We wanted to explore possibilities to help show the audience Stacey is hiding her true identity. We can connote this very well using lighting leading to the result of our own produced enigma code.  So at the beginning of her opening sequence of shots she will be dressed as a geek in a low key light room. As the opening progresses the room will become higher key with the introduction of lamps and natural lighting from curtains connoting she is no longer a loser alone but instead someone with many friends.

Hopefully on the day of filming it will be sunny. However, if not we still have to film the shots of the three boys walking down the street towards school. This will all be natural lighting.

Blocking

Shot One- Titles

Shot Two- Stacey is in the corner of the frame as it pans.

Shot Three- The alarm clock is cantered in the middle of the frame, Stacey is in the back of the frame asleep on her bed. This makes it apparent that it is early morning by the clock and that she is about to be woken by it.

Shot Four- Bob is then seen in the centre of the frame asleep on the keyboard this leads into….. Shot five- as Bob wakes still scene in the centre of the frame. In both shots he has many geeky props surrounding him on his desk. The layout of these props will be set in an order so the audience can clearly see them letting them gain better understanding of the character Bob.

Step Six- The next shot greets Tom into the film and he is seen in the bottom left corner and the television in the top right. This is shown by an over the shoulder shot from Tom’s right shoulder. This allows the audience to easily link Jeremy Kyle with Tom allowing them to gain better understanding of him also.

Shot Seven- Tom is then seen from the front in the centre of the frame eating muffins connoting he enjoy seating muffins (a fetish revealed later on in the film).

Shot Eight- Stu takes over most the frame; he is shown in the centre of the frame from an aria shot allowing the viewer to see him head to toe. He is also working and as the rest get ready this shows he is a nerdy geek who leads an arguably mature life. This leads to….. Shot Nine - Stacey is then seen from a normal close up reading still in the centre of the frame. Both these give the audience more of an understating surrounding Stu’s character. 

Shot Ten- Bobs shirt is all that is scene within this whole frame as he tucks it in.

Shot Eleven- The next shot shows Tom putting on some fingerless gloves.

Shot Twelve- The next shot reveals Stu standing alone at his window in the centre of the frame. This could be connoted in many ways, as he is alone staring out he could be said to be a loner. Or it could just show his eagerness to start the day as he is always a step early and prepared.

Shot Thirteen- Is of Stacey doing her makeup as she hides her geeky identity, she centred in the middle of the frame. Her makeup will also be apparent allowing the audience to experience her transformation from geek into hot babe.

Shot Fourteen-Shot sixteen: Are split screens of all four characters so we centred them in the middle of each of their section allowing them to still remain focus of attention.

Shot Seventeen-Shot Twenty:  These shots are done in a fast order of all four characters shutting their front doors walking into the street. Each shot will have the door and character in the centre of the frame so they once again are the centre of the audiences’ attention. Also these will be quick shots allowing the fast pace continuity editing to keep the mood going.

Shot Twenty one- The next shot shows the boys all in different positions within the frame. Tom is the closest to the screen followed by Bob then Stu. Bob is to the left of the frame, Tom is in the centre and Stu is to the left. This shot is done via a backwards tracking from their fronts allowing the audience to see them meet. Making it apparent they are friends. Tom being in the centre of the frame could connote him is the leader this is proven during…. Shot Twenty Two- as Tom is in the centre of their line supporting the evidence he is the leader.

Shot Twenty Three- The next shot is located in front of the school gates and the boys are seen walking towards the date still in their line from the previous shot connoting the same theory.

Shot Twenty Four- Bob is scene in a close up within the frame as a sandwich smashes into his face.

Scott Collins